
I was intrigued to read this
debut novel, which has been likened to Erica Morgenstern’s ‘The Night Circus’,
as it seemed to offer an intriguing blend of literary mystery and magical
suspense. So I was a bit surprised that I found it quite hard going initially.
Simon was a hard character to like being by turns reclusive and then, when
forced into interactions with other characters, belligerent. His sister Enola,
the other major character, provides a sparky alternative to Simon but again
alternates her personality wildly from headstrong free spirit to petulant
child. I completely get that both characters have been screwed up by their
shared past and the various tragedies that haunt their family history but they
were, for me, kind of hard to empathise with as a result.
I greatly preferred Amos, the
main character of the secondary narrative, which takes place in a travelling
circus during the 18th century. Quiet, reflective Amos, who learns
to ‘speak’ via the medium of the tarot cards he deals, struggles to balance his
wish for friendship with his passion for the ethereal Evangeline. Amos is mute
but Swyler does an excellent job of building his relationships with his mentor,
friends and lover and developing the subtle aspects of his personality in a
narrative viewpoint that is largely confined to Amos’ headspace. The
side-characters are also really well drawn in this books, with each of the circus
folk having a definite personality. My favourites were Enola’s boyfriend, the tattooed
‘electric man’ Doyle, and Madame Ryzkhova, Amos’ fortune telling mentor, both
of whom really came alive on the page.
In fact, the circus aspects were
what kept me going with this novel. I quickly lost interest in some of the many
subplots in this book, which vary from Simon’s on-off relationship with his
neighbour’s daughter to his efforts to find a job and to preserve his crumbling
family home. At times, there definitely felt like there was too much going on –
as if Swyler wanted to delay the solving of the central mystery by throwing yet
another obstacle into her characters’ lives. However, the central narrative about
Simon and Enola’s family history, and its connections to the circus, is
absolutely fascinating and did pull me through the slower sections of the book.
Swyler has clearly done her research into circus life and, especially, into the
specialisations of breath-holders and tarot readers and the allure of both these
arts is deftly conveyed.
All in all, I did find that this was
a book worth sticking with – I greatly preferred the second half to the first,
with the story improving as it gathers pace and the central characters becoming
more sympathetic as they develop and their secrets are revealed. I can
definitely see the comparisons with ‘The Night Circus’, although I feel that ‘The
Book of Speculation’ errs more on the realist side of magical-realism. That
said, fans of Morgenstern’s novel will find plenty to like if they take a
gamble on Swyler’s debut, as will readers who want a deep historical mystery
with a touch of romance and are prepared to stick with the narrative through
the slightly boggier sections.
The Book of Speculation by Erika Swyler is available in hardback now from all good bookstores. Thanks go to the publishers, St Martin's Press, provided me with a free galley copy of this novel via Netgalley in return for an unbiased and honest review.
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