Yes, I am aware that we're halfway through March but I figured better late than never! February was a month of two
halves for me. I started the month by rapidly reading the four really enjoyable
books that form this wrap up. I then hit a slump about halfway through when I
started 'Gold Fame Citrus', which was a worthwhile but somewhat
sluggish read so have, as a result, read very little in the last ten days or
so. As a result, my wrap up is slightly shorter for February than usual – but it’s quality
and not quantity that counts, right?!

I’m not usually a huge reader of
science fiction and, as a result, most of the classics of British sci-fi have
passed me by. Having been drawn to Wyndham’s work by my experience playing the
PS4 game ‘Everybody’s Gone to the Rapture’ (more on that in an upcoming post)
however, I decided it was high time to experience his writing for myself,
especially given that Penguin Books have just republished a number of his works
in paperback with gorgeously illustrated covers.
The Midwich Cuckoos follows
events in the sleepy English village of Midwich following the events of
‘Dayout’, a 24-hour period in which all of the residents fell asleep and, after
which, all of the women find themselves inexplicably pregnant. Taking place
both immediately after the events of the Dayout and then returning 9 years
later, once The Children of Midwich have grown, the novel is a classic tale of
aliens in our midst and the extent that a species will go to in order to
survive.
I immediately liked the way that
Wyndham combined an alien invasion with the conventional concerns of a
quintessential 1950s English village. Whilst undoubtedly frightening and
horrific in places, there is a wry humour running throughout the book, which
works both to lighten the mood and also to provide a contrast between the warm
humanity of the Midwich villagers and the cold otherness of The Children that
they have unwittingly played host to. The book raises some interesting
questions about how we perceive and deal with the ‘Other’, both as individuals
and as a society, and the ending, whilst grimly inevitable, does not provide
easy answers to these questions. Packing in a lot more than its slim appearance
would suggest, ‘The Midwich Cuckoos’ is an enjoyable and thought-provoking
slice of British sci-fi and I look forward to reading more of Wyndham’s work.

Ali Smith is a writer who I have
always heard praised but have never got around to reading despite having both
‘The Accidental’ and ‘How to be Both’ on my shelves. Having tried to begin her
work in the past, I was put off by the lack of punctuation (Smith isn’t a fan
of defining speech in her work) and the occasionally diversion into the realms
of the literary highbrow. Basically, I have to date found her work a little
daunting.
However, with the release of
this; her latest collection of short stories, I decided to bite the bullet and
really give Ali Smith a go and I’m so glad I did. The collection, which
celebrates the power of the written word and the importance of libraries,
intersperses Smith’s weird and wonderful stories with short interviews and
quotations from famous types explaining the importance of maintaining and
cultivating library services. The two mediums bounce off each other very nicely,
with the stories providing a mirror to the interviews. The transformative power
of words is an overarching theme, from the opening story in which a woman’s
struggle for expression results in her sprouting leaves to the amusing contrast
between a complaint to customer services and the long-standing correspondence
between two writers.
Smith’s writing is very beautiful
and I very much enjoyed her style, although it does sometimes benefit from a
little careful unpicking to really get beneath the surface of the words to the
meaning. This makes the collection one to dip into and out of, savouring each
story rather than wolfing them down in one go. And I still really do prefer to
have speech marks and a full range of punctuation as guidance when reading!

My quest to read more excellent
graphic novels and comics continued this month with this fabulously funny
fantasy, which combines Tolkien-esque questing and mythical beasties with a lot
of swearing, sex and ass-kicking fun! The series follows Elven mage Hannah,
Dwarven fighter Violet, atheist Human cleric Dee and rogueish Smidgen Betty as
they uncover a conspiracy that could bring down the world around them and
result in them being turned into troll doo-doo faster than any of them can down
a pint.
Filled with wit, sass and, yes, a
fair amount of sorcery, this volume collects issues 1 – 5 of the comic and
builds the story nicely, introducing the reader to ‘the Queens’, their messy
lives and loves and also to the wider world and story arc around them. The
writing is quick, sharp and filled to the brim with adult humour, and the art
style is colourful and active, with plenty to occupy the eye in each frame.
My first encounter with an
ongoing comic series, ‘Rat Queens’ is definitely a step on from the YA realms
of ‘Nimona’. This is definitely an adult comic, with swearing, sex and violence
aplenty – although it’s never gratuitous and I loved how the characters stayed
at the fore of the story at all times. I’ve already purchased Volume 2 (which
collects issues 6 – 10) of this series and believe Volume 3 is too follow
shortly. On the basis of the opening, ‘Rat Queens’ is definitely a series to
stick with and I’m looking forward to joining Hannah, Vi, Dee and Betty on
their next adventure!

I’ve spoken previously about my
love of Simon Brett’s cosy mysteries, which always provide an easy-to-read,
welcome distraction from the trials and tribulations of everyday life. ‘The
Tomb in Turkey’ is the fourteenth in Brett’s ‘Fethering’ series of mysteries
and follows laid-back, hippie healer Jude and her uptight, anxiety-stricken
neighbour Carol as they take up an offer from the not-at-all-dodgy property
tycoon Barney Wilmington to spend a couple of weeks in the sunshine at his
luxury villa. It’s not long before the intrepid duo stumble across a tomb
that’s far more recently occupied than it should be and, with a disappearing
body and a personal vendetta to complicate matters, it soon looks as if Carol
and Jude’s holiday is going to be dangerous business!
As always, Brett’s writing is
fun, relaxed and wryly observant. Whilst the Fethering mysteries are never too
taxing, there are a fair number of false leads and red herrings before the real
culprit is revealed and, in ‘The Tomb in Turkey’, the whole thing is bathed in
sunshine and a real sense of the summer. Another enjoyable read for fans of
cosy mysteries from one of the modern masters of the genre!
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